Not least in the four episode ending cliffhangers I’ve seen so far, which absolutely demand that you watch the next hour immediately. The Killing’s soundtrack is again hard wired to the hairs on the back of your neck. While the opening scenes on the old freight ship Medea will have you gripped from the very start.
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Leading to plenty of renewed use for police issue torches in dark and scary places, including a nod to the woods in series one. This time around viewers are also, of course, desperate to know how Sarah Lund’s own story will end.Ĭopenhagen and surrounds still appear to have an acute shortage of mains electricity. “We changed the story because we wanted to do something different,” he said. Soren warned us not to risk our money betting on the identity of the murderer. With the Prime Minister involved in a bitter election campaign. Soren has set the story of Forbrydelsen III against the backdrop of the global financial crisis and its domestic impact in Denmark. You’ll find a photo of Lund in that uniform further down this page. Sarah also appears in her police dress uniform, complete with tie – worn for an anniversary ceremony marking her – and others – 25 years of police service. She is trying to look after herself for a change, having applied for a job away from the police front line with the OPA – Operative, Planning and Analysis – department.Īlso hoping to build broken bridges with her now grown up son.Īs you can see from the photo at the top of this page, there is a pre-jumper, jumper before we meet the real new deal in episode four. It’s not giving too much away to say that a distracted Detective Chief Inspector Sarah Lund does not have her mind fully on the job when we meet her again. You will only find the very mildest of spoilers below. With episode eight screened in Denmark tonight (Sunday Nov 11) and the tenth and final episode still being edited. The Killing III begins on BBC4 at 9pm next Saturday (Nov 17), starting a run of double episodes over the next five weeks. I’ve since watched episodes three and four and am, of course, now desperate to see the rest. Perhaps just as well that I’d already seen it, as well as episode two, as the lady’s head in front of me mostly obscured the English subtitles. The Q&A session followed a preview screening of episode one, introduced by the Danish Ambassador to the United Kingdom, Anne Hedensted Steffensen.
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My full transcript of Friday’s fascinating BFI Q&A is below.Ĭhaired by Ben Preston, the editor of Radio Times, it featured Sofie Grabol, who plays Sarah Lund, creator, writer and showrunner Soren Sveistrup and producer Piv Bernth, who is now also Head of Drama at the Danish Broadcasting Corporation.Īs ever, their English puts me to shame – and you’ll have to watch out in the transcript for Soren’s very dry sense of humour. It was confirmed when Sofie Grabol appeared at BAFTA in London this time last year.Ĭlick hereto read my transcript of that November 2011 Q&A.īut it’s still hard to come to terms with the fact that there are just 10 more episodes of this BAFTA award-winning production left. We have, of course, known for a long time now that Denmark’s compelling television export would be no more after the end of series three. Which just goes to show not everyone keeps up with the news. There were a few gasps of surprise from the audience at the British Film Institute in London last Friday (Nov 9) night when “the third and final series of The Killing” was introduced.
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Sofie Grabol as Sarah Lund in The Killing III.